2022-06-27 16:05:07 来源:中国教育在线
托福阅读真题Official 44 Passage 2(四)
The Use of the Camera Obscura
The precursor of the modern camera,the camera obscura is a darkened enclosure into which light is admitted through a lens in a small hole.The image of the illuminated area outside the enclosure is thrown upside down as if by magic onto a surface in the darkened enclosure.This technique was known as long ago as the fifth century B.C.in China.Aristotle also experimented with it in the fourth century B.C.,and Leonardo da Vinci described it in his notebooks in 1490.In 1558 Giovanni Battista Della Porta wrote in his twenty-volume work Magia naturalis(meaning“natural magic”)instructions for adding a convex lens to improve the quality of the image thrown against a canvas or panel in the darkened area where its outlines could be traced.Later,portable camera obscuras were developed,with interior mirrors and drawing tables on which the artist could trace the image.For the artist,this technique allows forms and linear perspective to be drawn precisely as they would be seen from a single viewpoint.Mirrors were also used to reverse the projected images to their original positions.
Did some of the great masters of painting,then,trace their images using a camera obscura.Some art historians are now looking for clues of artists’use of such devices.One of the artists whose paintings are being analyzed from this point of view is the great Dutch master,Jan Vermeer,who lived from 1632 to 1675 during the flowering of art and science in the Netherlands,including the science of optics.Vermeer produced only about 30 known paintings,including his famous The Art of Painting.The room shown in it closely resembles the room in other Vermeer paintings,with lighting coming from a window on the left,the same roof beams,and similar floor tiles,suggesting that the room was fitted with a camera obscura on the side in the foreground.The map hung on the opposite wall was a real map in Vermeer’s possession,reproduced in such faithful detail that some kind of tracery is suspected.When one of Vermeer’s paintings was X-rayed,it did not have any preliminary sketches on the canvas beneath the paint,but rather the complete image drawn in black and white without any trial sketches.Vermeer did not have any students,did not keep any records,and did not encourage anyone to visit his studio,facts that can be interpreted as protecting his secret use of a camera obscura.
In recent times the British artist David Hockney has published his investigations into the secret use of the camera obscura,claiming that for up to 400 years,many of Western art’s great masters probably used the device to produce almost photographically realistic details in their paintings.He includes in this group Caravaggio,Hans Holbein,Leonardo da Vinci,Diego Velázquez,Jean-Auguste-Dominique Ingres,Agnolo Bronzino,and Jan van Eyck.From an artist’s point of view,Hockney observed that a camera obscura compresses the complicated forms of a three-dimensional scene into two-dimensional shapes that can easily be traced and also increases the contrast between light and dark,leading to the chiaroscuroartistic term for a contrast between light and dark effect seen in many of these paintings.In Jan van Eyck’s The Marriage of Giovanni Arnolfini and Giovanna Cenami,the complicated foreshortening(a technique for representing an image in art that makes it appear to recede in space)in the chandelier and the intricate detail in the bride’s garments are among the clues that Hockney thinks point to the use of the camera obscura.
So what are we to conclude.If these artists did use a camera obscura,does that diminish their stature.Hockney argues that the camera obscura does not replace artistic skill in drawing and painting.In experimenting with it,he found that it is actually quite difficult to use for drawing,and he speculates that the artists probably combined their observations from life with tracing of shapes.
Question 7 of 14
The word“faithful”in the passage is closest in meaning to
A.unusual
B.extensive
C.exact
D.historical
正确答案:C
题目详解
题型分类:词汇题
题干分析:词汇所在句子The map hung on the opposite wall was a real map in Vermeer’s possession,reproduced in such faithful detail that some kind of tracery is suspected译为“挂在对面墙上的地图是Vermeer现实中拥有的物品,地图的细节还原得如此真实,不得不让人质疑是否出于描摹”,faithful忠实的。根据文章语境此处可理解为“忠于原稿,完全按照原来的作品精确绘制的意思”。
选项分析:
C选项exact精确的,精准的。
A选项unusual不寻常的。
B选项extensive广泛的。
D选项historical历史的。
Question 8 of 14
Why does the author provide the information that“When one of Vermeer’s paintings was X-rayed,it did not have any preliminary sketches on the canvas beneath the paint,but rather the complete image drawn in black and white without any trial sketches.”?
A.To provide an example of a way to learn about the practices of artists who did not keep good records
B.To emphasize Vermeer’s confidence and skill as an artist
C.To provide evidence that Vermeer may have traced the image using a camera obscura
D.To argue that Vermeer did his preliminary sketching on paper,rather than on canvas
正确答案:C
题目详解
题型分类:修辞目的题
题干分析:该句子位于本段的倒数第二句。表达的内容是对Vermeer的一幅画作进行X-rayed之后,发现颜料下的帆布上并没有任何草图的痕迹,有的只是一副干净完整的黑白画。根据本段第二句和第三句的信息Some art historians are now looking for clues of artists’use of such devices.One of the artists whose paintings are being analyzed from this point of view is the great Dutch master,Jan Vermeer以及最后一句中...facts that can be interpreted as protecting his secret use of a camera obscura可以得出本段主旨就是说Vermeer很可能在创作中使用了暗箱,那么段中的信息都是为了该主旨而服务的。本题为段落主旨的修辞目的题。
选项分析:
C选项说...Vermeer may have traced the image using a camera obscura符合本段主旨。
A选项说the practices of artists who did not keep good records,艺术家没有做好记录的行为并非本段主旨。
B选项说强调Vermeer作为一名艺术家的自信和技能,与本段主旨无关。
D选项说Vermeer在纸上而不是帆布上画初稿,这也不是本段主旨。
(一)由于考试政策等各方面情况的不断调整与变化,本网站所提供的考试信息仅供参考,请以权威部门公布的正式信息为准。
(二)本网站在文章内容来源出处标注为其他平台的稿件均为转载稿,免费转载出于非商业性学习目的,版权归原作者所有。如您对内容、版 权等问题存在异议请与本站联系,我们会及时进行处理解决。"