热门搜索:
您现在的位置:外语频道 > 托福 > 托福历年真题 > 托福阅读真题Official 44 Passage 2(六)

托福阅读真题Official 44 Passage 2(六)

2022-06-27 16:06:42        来源:中国教育在线

托福阅读真题Official 44 Passage 2(六)

The Use of the Camera Obscura

The precursor of the modern camera,the camera obscura is a darkened enclosure into which light is admitted through a lens in a small hole.The image of the illuminated area outside the enclosure is thrown upside down as if by magic onto a surface in the darkened enclosure.This technique was known as long ago as the fifth century B.C.in China.Aristotle also experimented with it in the fourth century B.C.,and Leonardo da Vinci described it in his notebooks in 1490.In 1558 Giovanni Battista Della Porta wrote in his twenty-volume work Magia naturalis(meaning“natural magic”)instructions for adding a convex lens to improve the quality of the image thrown against a canvas or panel in the darkened area where its outlines could be traced.Later,portable camera obscuras were developed,with interior mirrors and drawing tables on which the artist could trace the image.For the artist,this technique allows forms and linear perspective to be drawn precisely as they would be seen from a single viewpoint.Mirrors were also used to reverse the projected images to their original positions.

Did some of the great masters of painting,then,trace their images using a camera obscura.Some art historians are now looking for clues of artists’use of such devices.One of the artists whose paintings are being analyzed from this point of view is the great Dutch master,Jan Vermeer,who lived from 1632 to 1675 during the flowering of art and science in the Netherlands,including the science of optics.Vermeer produced only about 30 known paintings,including his famous The Art of Painting.The room shown in it closely resembles the room in other Vermeer paintings,with lighting coming from a window on the left,the same roof beams,and similar floor tiles,suggesting that the room was fitted with a camera obscura on the side in the foreground.The map hung on the opposite wall was a real map in Vermeer’s possession,reproduced in such faithful detail that some kind of tracery is suspected.When one of Vermeer’s paintings was X-rayed,it did not have any preliminary sketches on the canvas beneath the paint,but rather the complete image drawn in black and white without any trial sketches.Vermeer did not have any students,did not keep any records,and did not encourage anyone to visit his studio,facts that can be interpreted as protecting his secret use of a camera obscura.

In recent times the British artist David Hockney has published his investigations into the secret use of the camera obscura,claiming that for up to 400 years,many of Western art’s great masters probably used the device to produce almost photographically realistic details in their paintings.He includes in this group Caravaggio,Hans Holbein,Leonardo da Vinci,Diego Velázquez,Jean-Auguste-Dominique Ingres,Agnolo Bronzino,and Jan van Eyck.From an artist’s point of view,Hockney observed that a camera obscura compresses the complicated forms of a three-dimensional scene into two-dimensional shapes that can easily be traced and also increases the contrast between light and dark,leading to the chiaroscuroartistic term for a contrast between light and dark effect seen in many of these paintings.In Jan van Eyck’s The Marriage of Giovanni Arnolfini and Giovanna Cenami,the complicated foreshortening(a technique for representing an image in art that makes it appear to recede in space)in the chandelier and the intricate detail in the bride’s garments are among the clues that Hockney thinks point to the use of the camera obscura.

So what are we to conclude.If these artists did use a camera obscura,does that diminish their stature.Hockney argues that the camera obscura does not replace artistic skill in drawing and painting.In experimenting with it,he found that it is actually quite difficult to use for drawing,and he speculates that the artists probably combined their observations from life with tracing of shapes.

Question 11 of 14

The word“diminish”in the passage is closest in meaning to

A.reduce

B.affect

C.reflect

D.determine

正确答案:A

题目详解

题型分类:词汇题

题干分析:词汇所在句子If these artists did use a camera obscura,does that diminish their stature?译为“如果这些艺术家的确使用了暗箱,这会不会降低他们的声望?”,diminish减少,降低。

选项分析:

A选项reduce减少。

B选项affect影响。

C选项reflect反映,反射。

D选项determine决定。

Question 12 of 14

According to paragraph 4,what does Hockney argue about the use of the camera obscura in producing art?

A.Works produced using a camera obscura do not deserve as much respect as those produced without it.

B.The camera obscura was probably used primarily as a training device,rather than used in producing finished works.

C.Use of the camera obscura byWestern art’s great masters was probably relatively rare.

D.While the use of the camera obscura may have helped artists,they still needed to have significant artistic ability.

正确答案:D

题目详解

题型分类:事实信息题

原文定位:定位词:Hockney;use of a camera obscura。定位到第四段的第三、四句。Hockney表达说暗箱并不能代替绘画艺术技巧,并发现绘画时使用暗箱其实是很难的,推测艺术家们很可能在绘制形状时融入了自己对于生活的观察。

选项分析:

D选项they still needed to have significant artistic ability对应第三句does not replace artistic skill in drawing and painting和第四句the artists probably combined their observations from life with tracing of shapes。

A选项说使用暗箱的作品不如没使用暗箱的作品受人尊重。而文中说does not replace artistic skill in drawing and painting,说明使用暗箱的作品同样需要艺术家的技巧,并非不受尊重,因此该选项与原文描述不符。

B选项used primarily as a training device,将暗箱用作训练工具,文中无此意,无中生有。

C选项说西方艺术大师使用暗箱是很少的,文中无此信息,无中生有。

声明

(一)由于考试政策等各方面情况的不断调整与变化,本网站所提供的考试信息仅供参考,请以权威部门公布的正式信息为准。

(二)本网站在文章内容来源出处标注为其他平台的稿件均为转载稿,免费转载出于非商业性学习目的,版权归原作者所有。如您对内容、版 权等问题存在异议请与本站联系,我们会及时进行处理解决。"